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Triumphant. Always engaging, often moving and even rousing, the show boasts dramatic interest and integrity on its own theatrical terms, courtesy of director Diane Paulus, librettist Diablo Cody and that peerless, soulful balladeer of the modern Western condition, Alanis Morissette. Not since ‘Rent’ has a musical invested so many bravura roles with so much individual life.

Variety Review: ‘Jagged Little Pill’

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Right now, in 2018, “Jagged Little Pill,” feels urgent. It’s also, somehow, wildly entertaining. It is wickedly funny in just the right places. We’re reminded that Morissette’s songs are a treasure. On top of it all we’re reminded that a heap of social ills can be the basis of good theater.

Boston Globe Review: A ‘Jagged Little Pill’ for these times

Green Day's American Idiot

“Invigorating, moving and thrilling! Performed with galvanizing intensity by a terrific cast, the emotional charge is as memorable as the music. A true rock opera!”- The New York Times

Green Day’s American Idiot: